Interview

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EVERY PICTURE TELLS A STORY

Published April 17, 2017 by rochellewisoff

“Every artist dips his brush in his own soul, and paints his own nature into his pictures.”

~~Henry Ward Beecher

Last November I was asked by an LA Talk radio host, Jim Christina which I preferred–writing or painting. I had to think about it for a moment for I consider both of them to be facets of creating art. With one I paint pictures with words, the other with pencil and paint.

To listen to the interview which I enjoyed so much click HERE

My next book will be out sometime next year and will be the companion to the HAVAH GITTERMAN SAGA, filled with illustrations and captions for those who’d rather look at the pictures. 😉 Of course, my preference is that one would enjoy reading the novels first.

In any event, this month marks a milestone for me. Nineteen pieces of my artwork, some illustrations for the upcoming book, are on display at the Colbern Road branch of the Mid-Continent Public Library in Lee’s Summit, Missouri. 

1000 NE Colbern Road
Lee’s Summit, MO 64086
Phone: 816.525.9924
Mon. – Thur. 9 – 9, Fri. 9 – 6, Sat. 9 – 5
Branch Manager: Seth Moses

My thanks for the invitation go to:

Morgan Daigneault
Access Specialist II
Colbern Road Branch
mdaigneault@mymcpl.org
 ***
I’m somewhat late in posting this, but can only excuse myself by saying that I was waiting to gather all of my photos. I hope you enjoy the following photos, or, even better, drop into the library. While you’re there feel free to request my books. 😉

THE VIRTUES OF SIMPLICITY

Published March 26, 2017 by rochellewisoff

Today Pegman takes us to Nassau, Bahamas

How I wish this trip could be made in person. A virtual trip will have to suffice for now. The photo below is my choice from the Pegman Buffet. 😉 

To enjoy stories inspired by the What Pegman Saw prompt or to submit your own 150-word story, visit the inLinkz button:

For guidelines and rules for the What Pegman Saw weekly writing prompt, visit the home page.

Thanks to K Rawson and J Hardy Carroll

Genre: Fiction

Word Count: 150

THE VIRTUES OF SIMPLICITY

            “I’m tired of cartoons,” said the little girl with round eyes the color of ripe cocoa plums. “Tell me a story, Great-Grandpa.”

            He clicked off the television. “Soul-destroying nonsense. Shall I tell you about Cinderella or Sleeping Beauty?”

            She wrinkled her nose. “Tell me what it was like when you were a boy in the Bahamas.”

            He gathered her onto his lap. “We were so poor we didn’t have a telephone or electricity or even indoor plumbing. But we had the bluest skies at our temples and the ocean at our feet.”

            “What did you do for fun?”

            “I climbed trees, ate wild bananas and went swimming almost every day.”

            “You were lucky! Did you ever go to the movies?”  

            “I didn’t even see a movie until I was twelve.”

            “And now you’re a movie star like Denzel Washington.”

            Sidney Poitier kissed his great-granddaughter. “Nah, I’m just an ordinary guy.”

*

*

*

Sidney Poitier in one of my favorite films, “To Sir with Love”in 1967

 

Sidney Poitier receives the Presidential Medal of Freedom in 2009

Interview: Meet Author, Rochelle Wisoff-Fields

Published March 18, 2017 by rochellewisoff

I had great fun this past week interviewing with fellow author Sarah Potter. The magic of the internet and Skype certainly shorten the distance between us. What interesting times we live in. Thank you, Sarah!

Sarah Potter Writes

I’m thrilled to welcome author, Rochelle Wisoff-Fields to my blog for a second time, on this happy occasion to interview her about her writing.  For those of you who missed her guest storyteller post back in November of last year, here’s a recap of her biography.

Kansas City native Rochelle Wisoff-Fields is a woman of Jewish descent and the granddaughter of Eastern European immigrants. She has a close personal connection to Jewish history, which has been a recurring theme throughout much of her writing. Growing up, she was heavily influenced by the Sholom Aleichem stories, the basis for Fiddler on the Roof. Her novels Please Say Kaddish for Me, From Silt and Ashes and As One Must, One Can were born of her desire to share the darker side of these beloved tales—the history that can be difficult to view, much less embrace.

She is also the author…

View original post 2,140 more words

INTERVIEW WITH THAT ALICE LADY

Published March 6, 2017 by rochellewisoff

This month it’s my pleasure to introduce you to fellow author and OWL (Ozarks Writers League), Alice White. She has participated a few times in Friday Fictioneers. You will have to imagine her delightful mixture of British accent, Scottish brogue and expressive face. The elusive lady says she likes to keep a little mystery. 

alices-clock

Her Bio in her own words:

I am an author from England, now living in the USA. Born to a Scottish mother and an English father in England, I began writing short stories and poetry at a very early age, progressing to novels in 2008. I did not seriously envisage publishing any of my work until migrating to the United States and marrying in 2009. On moving to Arkansas in 2011, where I now live happily with my husband, I for the first time saw the reality of publishing my work. I write Time Travel, Fantasy, Love Story, and Magical Realism. The Blue Door Trilogy and That English Lady are available for Kindle and print from Amazon. I attend a wonderful critique group, Northwest Arkansas Writers Workshop, where I have received some of the best advice and guidance I could ever have wished for, and I like to compose music, play the flute, keyboard, and violin. I love animals – especially dogs and giraffe – anything gothic, and Doctor Who. I also became a citizen of the United States, on January 17th, 2014.

I want to thank Rochelle for asking me to do this interview. I consider taking part an unparalleled honour.

the-blue-doorbeyond-the-blue-doorreturn-to-the-blue-door

that-english-lady

 

 

 

 

 

What made you decide to be a writer?

I’m not sure it was entirely MY decision. I had characters shouting at me to write about them. For my first serious encounter, they came in a vivid dream back in 2008. “This will make a nice short story,” thought I… By the time it had given me one book, it was clear this was a much larger project! This dream turned into The Blue Door Trilogy. After that, characters came as they willed, begging to be written about in some shape or form. Some had to wait to become lesser characters until a more prominent one led the way.

What is your favorite genre? Why?

dr-who-clock I love time travel. I grew up watching Doctor Who, back in England, and have been fascinated by time travel ever since. They say, “write about what you love,” and that is true in my case. I also love a nice love story, fantasy, and magical realism, and try to incorporate all of these into my book, where ever they will fit.

 Who is the author who inspires you the most?

For fantasy and world-building, I go to the master, Tolkien. For time travel, I will read and watch any and ALL books, movies, documentaries, and fictional series that remotely involve the subject. The obvious choice is, of course, Doctor Who, but I’m always open to new ideas. I’m always looking for new and unique ways to transport my people, and by surrounding myself with time travel related material, am often inspired far and beyond even my own expectations, either by combining those I see and working them into a new way of inter-time transport or by coming up with something completely different.

How often do you write?

When I am in the process of writing a book, I write every day. That includes edits, layout, formatting, making my own cover, and writing music for the book trailer—which I make myself also—as well as preparing promotional posts for before and after the book is released. Once all of this is done, and beta readers get involved, I tend to give myself a little time off while they are considering their own deliberations. Once I have the finished product, including final edits from beta readers, and the book is released, I take a sabbatical from writing and concentrate a little more on promotion—while trying NOT to overdo the latter.

Do you have any major projects in the works?

I just released my fifth book, Little Bit Out Of Time, earlier this month, so am still in the thick of promoting it. Other than that, I’m waiting for the next group of characters to jump up and give me the beginnings of their story. I always like to wait for them and then allow them to drive the story forward, since I am what is known as a “Pantser,” which is to say, I fly by the seat of my pants, as opposed to planning and laying out a story before it is written. I prefer to let the stories/characters write themselves.little-bit-out-of-time

What are your writing goals for the future?

I would like to continue to grow as a writer. I don’t think we as writers ever stop growing, in truth. There is always something new to learn. I don’t know how many more books I have in me, that is all dependent upon those characters keeping in touch or even contacting me in the first place, but I hope there are a few more.

What advice would you give other writers?

Write what you love and also what you don’t. While sticking with what you know is comfortable and much easier, writing about those things you know little to nothing about will give you a great opportunity for research and learning about something new. Combining the two gives a great variety, and a sense of accomplishment. Read other authors.

Hone and polish your craft.

Join a critique group. There are all different kinds out there, and most everyone is able to find the one or even two that are wholly suitable for them.

Find beta readers who will provide varied, open, and honest feedback.

Attend writers’ conferences and rub elbows with fellow authors in all kinds of different stages in their writing and in their publishing process—whether self-published or traditionally.

Finally, and most importantly, NEVER, NEVER, NEVER give up!

Little Bit Out Of Time

That English Lady

The Blue Door

Beyond The Blue Door

Return To The Blue Door

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Author Central

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SCHUHLEDER

Published March 4, 2017 by rochellewisoff

Today Pegman walks through a St. Louis neighborhood.

Feel free to stroll around the area using the Google street view and grab any picture you choose to include in your post.

To enjoy stories inspired by the What Pegman Saw prompt or to submit your own 150-word story, visit the inLinkz button:

For guidelines and rules for the What Pegman Saw weekly writing prompt, visit the home page.

Since I chose the destination this week, I had no choice but to write a story. Right? Of course, right! 

Even at 150 words…50 over my normal flashes, I found myself wishing for more. 😉  Below is my choice of prompt. It brought back some wonderful childhood memories.

st-louis-home

Genre: Mostly Memoir-Some Fiction

Word Count: 150

SCHUHLEDER

            Compared to our ranch-style house in Kansas City, George Weinberg’s two-story in St. Louis seemed a veritable palace. I looked forward to sojourns with our cousins in the early 1960’s.

            Although George’s wife Carla, a German refugee, was generous and an impeccable housekeeper, her cooking left something to be desired—taste.  We didn’t dare complain. Carla had survived unbelievable hardship and she meant well, but how can a person ruin hamburgers?

            The summer I turned fifteen, Mom had dental surgery. Granting her request to be left alone, Dad took me to our favorite getaway for an overnight.

            It was dark when he woke me. “There’s a great diner around the corner.”

            Alas, Carla stood at the foot of the stairs, platter in hand. “Guten morgen!

            “Pancakes?” Dad’s stomach let out an audible whimper. “You shouldn’t have.”

            “Nonsense. I should let my guests leave hungry?”

            What’s the German word for ‘cowhide?’        

AN AUTHOR IN PARADISE – AN INTERVIEW WITH C. E. AYR

Published February 6, 2017 by rochellewisoff
C. E. Ayr

C. E. Ayr

C.E. Ayr has always been somewhat nomadic, fairly irresponsible and, according to his darling daughter, a bit random.
His work history ranged from
selling programmes at his local football club to running his own company which supplied IT solutions to the retail sector.
He has now discovered Paradise in a small town he calls Medville on the Côte d’Azur.
Hence the title of his recently published book of Sound Bite Fiction, MEDVILLE MATTERS.

medville-matters

Your Bio was written a few years ago, has anything changed?

On the surface, not much.
I am still, to my surprise, in Medville.
I am, rather sadly, happier than I have ever been in my life.
I am relaxed and creative, I write Sound Bite Fiction of 100 words and novellas of 20,000 words.
I write poetry and, arguably, song lyrics.
I have heard very different versions of my stuff produced in very different ways by very different musicians.
Yep, Bluegrass to Heavy Metal.
I have seen Carolina Sartor, a Canadian artist of exceptional talent, translate a children’s poem into twenty-two breathtakingly beautiful images well beyond the scope of my imagination, culminating in the creation of The Famous Green Hunchback Turtle of Béthune, my latest book for children.

he can sky dive

he can sky dive

I have met some interesting guys and some beautiful ladies.
And, most amazingly, I have found the best friend I have ever had in my life.
I have grown up and become sensible.
Did I mention that I write fiction?

What made you decide to be a writer?

I grew up in South Africa at a time when there was no television and very little English-language radio, so I became a voracious, almost compulsive, reader.
So story-telling has always seemed natural to me.

What is your favorite genre? Why?

I read across-the-board fiction, enjoying anyone who can tell a story.
I would say I am not a big fan of horror, but I am a huge admirer of Stephen King, or of Westerns, but I love Elmore Leonard.
I am also not too keen on Science Fiction, but I am impressed by Wells, Asimov and Clarke, and the dystopian works of Orwell, Bradbury and Huxley.
I devour the crime stories of quality writers like Michael Connelly, John Connolly, Robert Crais, and Scotland’s Ian Rankin.

Who is the author who inspires you the most?

I guess that John Steinbeck is top of that list, his seemingly effortless prose creating works as diverse as The Grapes of Wrath and Cannery Row. His writing always seems to have a power unmatched by anyone else.
But I have to give honourable mentions to Franz Kafka and Hermann Hesse, along with more modern authors including Paul Auster, Sebastian Faulks and Iain Banks.
Apart from Rankin and Banks, I am also inspired by other compatriots, from Robert Louis Stevenson and Lewis Grassic Gibbon, through Alasdair Gray to Irvine Welsh and A L Kennedy.
And, of course, I pay homage to the genius who is Dr Seuss!
I apologise to other favourites who are temporarily hidden in strange dark corners of my mind.

How often do you write?

Pretty much every day, but times vary.
Typically the afternoon is my leisure time when, depending on season, I walk or swim. This is when I am most creative, and I constantly make notes of thoughts and ideas, no mean feat when I am up to my ears in my beloved Mediterranean Sea.
Then I draft stories on paper, longhand, while I relax at the Little Café in the Square or the Little Café  at the Port, both of which I feature in my tales.

'tis a hard life

’tis a hard life

The following morning I input these to my laptop, filling in the blanks and trimming the redundancies, before emailing them to my friend and first line editor Emmy L. Gant for her critical analysis. And as a backup in case of natural disaster, which I can be!

Do you have any major projects in the works?

Most importantly, I am currently looking for a publisher for The Famous Green Hunchback Turtle of Béthune, as mentioned above.
I have two novellas at the finishing stage, with no clear idea of what I will do with them.
I rarely write with a market in mind, I produce just what the muse says at the time.
Occupation tells of a small group of resistance fighters in a land occupied by The Creation, while Abduction is a tale of vengeance, where one man pursues the organisation who kidnapped his girl.
They are very different in content but, like my previously published e-book, The Second Request, are written in my trademark short line style.

the-second-request-image
I am, of course, thinking about a second book of Sound Bite Fiction, but living in a non-English speaking country makes marketing difficult at a personal level.
I certainly have enough material, in fact probably enough for three books, I am nothing if not prolific.
My recent stories are generally slightly longer and, I believe, even more personal than Medville Matters.

In what way is your writing becoming more personal?

Ah, good question!
I find it an interesting paradox that the more fiction I write, the more of myself I expose.
But we create using ideas from within ourselves, our imagination, our dreams, our memories.
And not just our successes but, more pertinently, our failures and losses.
Some stories are pure fantasy (I kill far fewer folk in real life), but in others I feel that I have stripped my soul naked.

You say you also write poetry and songs. Who are your inspirations here?

Again, they are many and varied but, as a Scot who did several years of schooling only a couple of miles from his Ayrshire birthplace, I have to say that Robert Burns stands alone.
Outwith his work, my favourite poem is probably The Ballad of Reading Gaol by Oscar Wilde.
And I am in awe of Leonard Cohen.

What are your writing goals for the future?

I don’t make goals, I rarely make any plans, I tend to live in the moment.
A few years ago I sold, or otherwise disposed of, everything I owned.
With my worldly possessions in two suitcases (one summer, one winter) I took a coach 500 miles to the English Channel, crossed to Calais and rented a car.
Other than the offer of temporary accommodation at Emmy’s home a further 750 miles to the south, I had nothing fixed in my mind.
Every day is an adventure.
Or, as Robert Heinlein (I forgot him earlier!) said, life is short, live wide.

What advice would you give other writers?

As Shakespeare says, advice is free and that’s all it’s worth.
But I do make a plea to everyone who tries to write.
Please, learn some basic grammar, and use a spell checker.
Okay, two words of advice.
Read.
(Not Tweets or the Sports pages, but real books by decent writers.)
Write.
(All the time.)

INSIDE THE QUIRKY MIND OF SARAH POTTER

Published January 9, 2017 by rochellewisoff

 

sarah-potter

It’s my great pleasure to start the year off by interviewing Friday Fictioneers regular, Sarah Potter who lives in a house on a hill, with panoramic views over the English Channel in SE England. Sharing the house are her husband, son and chocolate Labrador, all three of whom are great supporters of her literary endeavours. When not writing novels, she pens haiku and tanka poems, takes nature photographs, grapples with bindweed and snails in the garden, invents recipes, and sings mezzo-soprano.

What made you decide to be a writer?

My love affair with writing fiction and poetry blossomed at the age of eight. I could read before I went to school, which gave me a head-start with vocabulary. My mother read me lots of books as well; ones that were too advanced for me to read myself, such as The Sword in the Stone by T. H. White. Also, she made up stories off the top of her head. I remember in particular her tales about The Eccentric Man who liked to do things such as having operations without anesthetic (wince). At senior school, I wrote exercise-book length novellas: popstar or sci-fi romances mostly. These proved a great hit with my classmates, as well as my piano teacher, who showed one of my literary creations to her English teacher boyfriend. He responded with the words “That girl will be famous one day”. …Still waiting, although I do have the line of fame on my palm, so maybe there’s still time for his prophecy to come true. In my 20s, I was too busy making ends meet to have time to write much, apart from poems that moved almost imperceptibly between depressed rambles and black comedies. At the age of 36, I decided to go to evening class and study for an AS Level in English, which I passed with a straight A, with full marks for the creative writing module. The same year, I watched Kevin Costner’s movie, A Field of Dreams, in which he said something along the lines of “I’m 36 and if I don’t fulfill my dreams now, I never will”. That’s when I decided to write my first novel, a time travel romance set in a psychiatric hospital.       

What is your favorite genre? Why?

This is a difficult question, as I read quite widely. My choice of fiction at any one time depends upon my mood. I’m not good with high literary, as it’s too exhausting. On the other hand, I can’t deal with pulp fiction that has two-dimensional characters and unadventurous vocabulary. There’s nothing that’s more of a delight to me than discovering a brilliant trilogy and reading all the volumes back-to-back. In particular, I love apocalyptic science fiction, with Justin Cronin’s “The Passage trilogy” at the top of my list. This genre fascinates me, not out of a sense of morbidity, but because of its epic scale. Throughout history people have demonstrated an amazing spirit of survival against a backcloth of good and evil, and the apocalyptic scenario takes them right to the point of extinction, yet there’s a core group with the vision and determination to fight back, using a combination of practical skills and a profound sense of community.

I enjoy Nordic Noir, too, especially Karin Fossum, and Scandinavian authors in general, my favourite being the quirky Danish author, Peter Hoeg, who writes in an accessible literary style. The novel for which he’s the most famous is Miss Smilla’s Feeling for Snow, but my personal favourite is his less well known satirical anthropological novel The Woman and the Ape.

“Desiccation” is mesmerizing. How did you come up with the idea? How long did it take you to write it?

desiccationDesiccation is number three out of five novels, and was originally titled “Spaced-out”. They say write about what you know, so I based the setting for the story on the boarding school I attended in the latter part of the 1960s. The school never came under attack by body-snatching interdimensional aliens, although I seem to remember daydreaming about such things when I should have been concentrating on lessons. I did three months of research, which included reading a fascinating natural history book all about woodlice/pillbugs, followed by three months of writing the first draft. I sent the second draft out to a literary agent who said “I applaud your imagination and your writing skills, but it would be very hard to convince a publisher to take on a mix of science fiction, fantasy, and humour written by a first-time author”.  After this, I cast Desiccation aside and left it to marinade for ages, then rewrote it, then left it to marinade again, until in 2015 my family persuaded me to have a go at indie publishing one of my novels. My son voted for Desiccation, on the grounds that he’d found the first draft so exciting that he’d stayed up all night reading it and spent all the following day falling asleep at school.

I’m reading “Noah Padgett and the Dog-People” which, so far, is a rare treat. What can you tell us about it?

This is my fourth novel. I’m marketing it as a middle-grade children’s novel, although I suspect that most of my readers are aged 40 plus (much the noah-padgett-and-the-dog-peoplesame as with Desiccation). I like to think of Noah Padgett and the Dog-People as a multi-layered crossover novel that children and adults can enjoy at different levels. For instance, there’s Sergeant Salt and his Mercenary Lurcher Band, which is my joke on The Beatles’ album, Sergeant Pepper and his Lonely Hearts Club Band. Children possibly won’t pick up on this, but they will still find the characters entertaining. The book is available as an audiobook, as well on kindle and in paperback. For me, hearing my book read by talented actress Mil Nicholson, who’s brilliant with the characters’ voices and accents, is almost as exciting as having it made into a movie.

The inspiration behind the story is my chocolate Labrador, who was a puppy at the time of writing. I kept having anxiety dreams in which I turned around for a moment and she disappeared, and the more I thought about it, the more the kidnapping of a beloved dog seemed like a disturbing central theme to a novel. Added to this, my mother used to breed and show dogs and my first job after leaving school was as a kennel maid, so again, it was writing about what I knew.  Here’s my novel’s three sentence hook…

When Noah Padgett and his chocolate Labrador puppy disappear through a computer screen, they find themselves in the Zyx-dimension, where the main species is Canis sapiens. Bluebell soon falls into the paw-hands of deranged entrepreneur Monsieur Percival Poodle, who likes to collect alien specimens and believes himself above the law. Meanwhile, Noah ends up in a high security hospital for criminally insane Canis sapiens, with no apparent means of escape and terrified for his beloved puppy’s safety.

Bluebell in the furry flesh. © Sarah Potter

Bluebell in the furry flesh. © Sarah Potter

Who is the author who inspires you the most?

Apart from Rochelle Wisoff-Fields, you mean? ( 😉 ) This is a hard question to answer, as different authors have inspired me at different times in my life. These days I’m looking for five things in a book.

  • I find it so engaging that it compels me to sneak read it at breakfast time.
  • I care passionately about the fate of its characters.
  • The writing is crafted so beautifully that it gives me profound “wow” moments.
  • It teaches me something new, including techniques to improve my own writing.
  • When I’ve finished reading it, I suffer withdrawal symptoms and can’t settle to read anything else for a week or two.

I’ve already mentioned some of the authors who fit this bill, but who to choose above all others?  Here are the three authors who’ve taught me the most about writing as a craft: Donna Tartt, Rose Tremain, and Stephen King, and of those three, I would say that Donna Tartt triumphs over all.

How often do you write?

When I’m writing the first draft of a novel, I write for about five hours a day from Monday to Friday. For rewriting or editing, it’s around about three hours a day. Most weeks I write a haiku poem for the regular “Monday Morning Haiku” feature on my blog. Time permitting, I also participate in Friday Fictioneers, which I love. Any other writing is done at random times and scribbled on scraps of paper, which I scatter about the house or stuff in my coat pockets. Then I have to go on a hunt for them, having forgotten where I’ve put them, rather like a squirrel with its winter food hoard.  

Do you have any other major projects in the works?

I’ve an idea for a new work, which I’m researching at the moment. This is for a “genre bending” novel, better known as mashup fiction. This involves taking a literary classic that’s in the public domain and melding it with a genre. An example of this is Pride and Prejudice and Zombies. At the moment, I’m reading the original Pride and Prejudice, and then I’m going to compare it to the mashup version and its sequel, Pride and Prejudice: Dreadfully Ever After. If I decide this type of novel is for me, I will go ahead writing it, with a view to submitting it to a traditional publisher or two. I’m keeping it close to my chest about which public domain work I intend to slaughter or enhance!

What are your writing goals for the future?

Ultimately, I would like to write a novel that literary agents and traditional publishers are willing to take a punt on. On the other hand, I don’t want to end up stuck with churning out novel after novel of the same ilk, unless I adore that ilk; otherwise, it will give me literary indigestion and a writer’s ulcer. If I can achieve recognition for my brand, namely “quirky fiction”, rather than for a particular genre, I will die happy.

Meanwhile, in the latter part of 2017, I might indie publish a third novel, most likely my medieval-style sword and sorcery fantasy adventure. This will be my experiment into whether it’s easier to market a novel that fits into a recognised subgenre, while still allowing for quirkiness. So far, my experience of marketing sucks.          

What advice would you give other writers?

  • Read widely.
  • Learn techniques and pick up skills from other authors, but develop your own voice.
  • Put your work under the microscopes of trusted beta readers who write well themselves and/or have editing experience. Don’t make changes immediately, but put the critiques aside for a week or two, especially if they annoy you! When you’ve calmed down and left your manuscript to marinade, compare the reader reports. If all of the readers pick up on a particular problem, then this problem needs addressing.
  • Don’t rely solely on your computer’s spellchecker.
  • Keep your writing muscles exercised, but don’t push it on days when you’re not in the mood. Go out for a walk or to the gym, meditate, have a sleep, clean the house, brush the dog, sing, dance, whatever. Anything other than writing total rubbish and beating yourself up about it.
  • Observe life closely, through all of your senses.
  • Give yourself plenty of thinking time.
  • Eat regular meals and don’t prop yourself up on strong coffee and donuts.
  • Don’t give up your day job and end up starving in your garret.

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Connect with Sarah: 

Blog
Facebook
Goodreads
Twitter
Linkedin
Independent Author Network 

Sarah’s Books on Amazon:
Desiccation
Noah Padgett & the Dog-People

 

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