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Interview: Meet Author, Rochelle Wisoff-Fields

Published March 18, 2017 by rochellewisoff

I had great fun this past week interviewing with fellow author Sarah Potter. The magic of the internet and Skype certainly shorten the distance between us. What interesting times we live in. Thank you, Sarah!

Sarah Potter Writes

I’m thrilled to welcome author, Rochelle Wisoff-Fields to my blog for a second time, on this happy occasion to interview her about her writing.  For those of you who missed her guest storyteller post back in November of last year, here’s a recap of her biography.

Kansas City native Rochelle Wisoff-Fields is a woman of Jewish descent and the granddaughter of Eastern European immigrants. She has a close personal connection to Jewish history, which has been a recurring theme throughout much of her writing. Growing up, she was heavily influenced by the Sholom Aleichem stories, the basis for Fiddler on the Roof. Her novels Please Say Kaddish for Me, From Silt and Ashes and As One Must, One Can were born of her desire to share the darker side of these beloved tales—the history that can be difficult to view, much less embrace.

She is also the author…

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AN AUTHOR IN PARADISE – AN INTERVIEW WITH C. E. AYR

Published February 6, 2017 by rochellewisoff
C. E. Ayr

C. E. Ayr

C.E. Ayr has always been somewhat nomadic, fairly irresponsible and, according to his darling daughter, a bit random.
His work history ranged from
selling programmes at his local football club to running his own company which supplied IT solutions to the retail sector.
He has now discovered Paradise in a small town he calls Medville on the Côte d’Azur.
Hence the title of his recently published book of Sound Bite Fiction, MEDVILLE MATTERS.

medville-matters

Your Bio was written a few years ago, has anything changed?

On the surface, not much.
I am still, to my surprise, in Medville.
I am, rather sadly, happier than I have ever been in my life.
I am relaxed and creative, I write Sound Bite Fiction of 100 words and novellas of 20,000 words.
I write poetry and, arguably, song lyrics.
I have heard very different versions of my stuff produced in very different ways by very different musicians.
Yep, Bluegrass to Heavy Metal.
I have seen Carolina Sartor, a Canadian artist of exceptional talent, translate a children’s poem into twenty-two breathtakingly beautiful images well beyond the scope of my imagination, culminating in the creation of The Famous Green Hunchback Turtle of Béthune, my latest book for children.

he can sky dive

he can sky dive

I have met some interesting guys and some beautiful ladies.
And, most amazingly, I have found the best friend I have ever had in my life.
I have grown up and become sensible.
Did I mention that I write fiction?

What made you decide to be a writer?

I grew up in South Africa at a time when there was no television and very little English-language radio, so I became a voracious, almost compulsive, reader.
So story-telling has always seemed natural to me.

What is your favorite genre? Why?

I read across-the-board fiction, enjoying anyone who can tell a story.
I would say I am not a big fan of horror, but I am a huge admirer of Stephen King, or of Westerns, but I love Elmore Leonard.
I am also not too keen on Science Fiction, but I am impressed by Wells, Asimov and Clarke, and the dystopian works of Orwell, Bradbury and Huxley.
I devour the crime stories of quality writers like Michael Connelly, John Connolly, Robert Crais, and Scotland’s Ian Rankin.

Who is the author who inspires you the most?

I guess that John Steinbeck is top of that list, his seemingly effortless prose creating works as diverse as The Grapes of Wrath and Cannery Row. His writing always seems to have a power unmatched by anyone else.
But I have to give honourable mentions to Franz Kafka and Hermann Hesse, along with more modern authors including Paul Auster, Sebastian Faulks and Iain Banks.
Apart from Rankin and Banks, I am also inspired by other compatriots, from Robert Louis Stevenson and Lewis Grassic Gibbon, through Alasdair Gray to Irvine Welsh and A L Kennedy.
And, of course, I pay homage to the genius who is Dr Seuss!
I apologise to other favourites who are temporarily hidden in strange dark corners of my mind.

How often do you write?

Pretty much every day, but times vary.
Typically the afternoon is my leisure time when, depending on season, I walk or swim. This is when I am most creative, and I constantly make notes of thoughts and ideas, no mean feat when I am up to my ears in my beloved Mediterranean Sea.
Then I draft stories on paper, longhand, while I relax at the Little Café in the Square or the Little Café  at the Port, both of which I feature in my tales.

'tis a hard life

’tis a hard life

The following morning I input these to my laptop, filling in the blanks and trimming the redundancies, before emailing them to my friend and first line editor Emmy L. Gant for her critical analysis. And as a backup in case of natural disaster, which I can be!

Do you have any major projects in the works?

Most importantly, I am currently looking for a publisher for The Famous Green Hunchback Turtle of Béthune, as mentioned above.
I have two novellas at the finishing stage, with no clear idea of what I will do with them.
I rarely write with a market in mind, I produce just what the muse says at the time.
Occupation tells of a small group of resistance fighters in a land occupied by The Creation, while Abduction is a tale of vengeance, where one man pursues the organisation who kidnapped his girl.
They are very different in content but, like my previously published e-book, The Second Request, are written in my trademark short line style.

the-second-request-image
I am, of course, thinking about a second book of Sound Bite Fiction, but living in a non-English speaking country makes marketing difficult at a personal level.
I certainly have enough material, in fact probably enough for three books, I am nothing if not prolific.
My recent stories are generally slightly longer and, I believe, even more personal than Medville Matters.

In what way is your writing becoming more personal?

Ah, good question!
I find it an interesting paradox that the more fiction I write, the more of myself I expose.
But we create using ideas from within ourselves, our imagination, our dreams, our memories.
And not just our successes but, more pertinently, our failures and losses.
Some stories are pure fantasy (I kill far fewer folk in real life), but in others I feel that I have stripped my soul naked.

You say you also write poetry and songs. Who are your inspirations here?

Again, they are many and varied but, as a Scot who did several years of schooling only a couple of miles from his Ayrshire birthplace, I have to say that Robert Burns stands alone.
Outwith his work, my favourite poem is probably The Ballad of Reading Gaol by Oscar Wilde.
And I am in awe of Leonard Cohen.

What are your writing goals for the future?

I don’t make goals, I rarely make any plans, I tend to live in the moment.
A few years ago I sold, or otherwise disposed of, everything I owned.
With my worldly possessions in two suitcases (one summer, one winter) I took a coach 500 miles to the English Channel, crossed to Calais and rented a car.
Other than the offer of temporary accommodation at Emmy’s home a further 750 miles to the south, I had nothing fixed in my mind.
Every day is an adventure.
Or, as Robert Heinlein (I forgot him earlier!) said, life is short, live wide.

What advice would you give other writers?

As Shakespeare says, advice is free and that’s all it’s worth.
But I do make a plea to everyone who tries to write.
Please, learn some basic grammar, and use a spell checker.
Okay, two words of advice.
Read.
(Not Tweets or the Sports pages, but real books by decent writers.)
Write.
(All the time.)

Another Step Closer

Published February 24, 2015 by rochellewisoff

As much as I’ve always loved FIDDLER ON THE ROOF, I knew that it was a watered down version of the persecution the Jews in Eastern Europe before the turn of the last century. My family suffered at the hands of the Czars. The history of what happened to them has always haunted me.

Nine years ago I started my first novel, equipped only with the desire to tell the real story that few really know and a minimal amount of writing experience. In a matter of months I had written a one-hundred-and-fourteen thousand word manuscript. It was a beginning, the first manifestation of a dream. A dream that many told me was a pipe dream, but I felt compelled to keep going. I continued to work on the first manuscript and wrote a sequel.

ANNOUNCEMENT!

Standing: Nettie Weinberg, my maternal grandmother. I don’t know the other woman’s name, but I’m pretty sure she was my great grandmother.

I had no idea where to go from there.  A fellow student in my Hebrew class, writer Annie Withers, read my first manuscript and told me it was a story that needed to be told but needed a lot of work. She invited me to a small critique group of experienced writers who met every other Monday night. I came to look forward to these meetings with happy anticipation and dread. It can be painful to hear that your baby has warts. For the most part these dear ladies encouraged me.

Annie introduced me to Kansas City Writers Group and to Ozarks Writers Group (OWL). Going to workshops and networking with other writers helped me hone my skills. It was also at OWL that I learned how to pitch to an agent.

The first agent turned me down with “This is just excellent, Rochelle, but…” he went on to say that he wasn’t working in a market where my book fit. I wasn’t surprised since I’d gone to his website and checked out his clients. Nonetheless, I framed that letter. It was the first of more than one rejection.

Meanwhile the novels have gone through many revisions.

Three years ago I pitched the first novel, PLEASE SAY KADDISH FOR ME, to agent Jeanie Loiacono and she accepted it with enthusiasm and, this past week she took on the sequel, FROM SILT AND ASHES. I’m thrilled to have an agent who believes in my works and is committed to finding an publisher for them. 

http://www.loiaconoliteraryagency.com/loiacono-literary-agency-takes-on-from-silt-and-ashes-rochelle-wisoff-fields-sequel-to-please-say-kaddish-for-me/

 http://www.loiaconoliteraryagency.com/authors/rochelle-wisoff-fields/

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