Please Say Kaddish for Me

All posts in the Please Say Kaddish for Me category

ARMED WITH PAINTBRUSH AND KEYBOARD

Published January 17, 2017 by rochellewisoff

burning-shul-complete

Chapter One

NATALYA, MOLDAVIA, THE PALE OF SETTLEMENT, EASTERN EUROPE, NOVEMBER 1899

 Gunshots and screaming woke sixteen-year-old Havah Cohen from a sound and dreamless sleep. She ran to her window and saw flames shooting through the roof of the synagogue. Dense clouds of black smoke poured through the windows as men with shovels and rocks smashed the stained glass. By moonlight she could see her older brother lying beside the road in a bloodstained night shirt. Her other brother, a few feet away, lay face down.

“Papa!” She screamed when she saw him run from the inferno clutching the sacred scrolls.

                                           ~~From PLEASE SAY KADDISH FOR ME by Rochelle Wisoff-Fields 

Published by Argus Publishing

Represented by Loiacono Literary Agency

***

burning-shul-step-2Above is the opening paragraph to my first novel PLEASE SAY KADDISH FOR ME. To my knowledge, a shetl called Natalya, Moldavia never existed. On the other hand, the 1930 census lists my grandfather Sam Weiner’s birthplace as Rosinia, Poland which doesn’t seem to have existed either. I’ve searched the internet for every imaginable spelling. Then  last year a Holocaust survivor from Poland confirmed what I’ve suspected for some time. Rosinia was probably one of those villages destroyed by pogromists. 

I’ve often wondered how close to Havah’s story Grandpa’s came. All I know of his background came from my mother and a cousin. According to Mom, he came burning-shul-step-6over from a part of the country that went from being part of Poland to being part of Russia. It was part of the Pale of  Settlement in any case, the Jewish ghetto of Eastern Europe. Grandpa came to America at the age of 19 “with nothing but the shirt on his back.” He didn’t know his own birthday because those records that were kept in the synagogue had been destroyed. He taught himself to be a tailor. 

Sam Weiner circa 1940-Something

History tells many stories of rabbis who sacrificed their lives to save the Torah scrolls. Havah’s father, Rabbi Shimon Cohen does just that as PLEASE  SAY KADDISH FOR ME opens.

At that moment Havah’s idyllic childhood ends and her journey begins. PLEASE SAY KADDISH FOR ME, FROM SILT AND ASHES and recently released, AS ONE MUST, ONE CAN follow Havah, her friends and family from that night in 1899 to 1908. 

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Amazon  Amazon AU  Amazon UK  Amazon CA  Amazon DE  Amazon IT  Amazon FR  Amazon ES  Amazon IN  Amazon JP  B&N   Smashwords  KOBO  Scribd  Goodreads

Before the completion of AS ONE MUST, ONE CAN, my publisher asked if I would be interested in compiling a coffee table companion book that would include the character studies I’ve posted. It took a split second to answer that one! Presently I’m hard at work on this book which is due out this spring to be entitled: 

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CHARACTER STUDY – The Gitterman’s Hanukkah Menorah

Published December 11, 2016 by rochellewisoff

In the beginning, I referred to Havah’s trilogy as “The Menorah Saga.” Although the series has gone through numerous revisions over the past twelve years, one thing has remained a constant–Rabbi Yussel’s menorah. Although, it’s an inanimate object this holiday candelabra holds a very special place in the Gitterman family in all three of the novels.

***

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Crafted to look like a tree in the wind, the main stem curved with nine branches arcing in opposite directions. The candle cups sat upon them like majestic crowns. Between seven of the branches and the trunk an opening hosted a pair of doves, positioned breast to breast, and perched on a flower covered vine, spreading their graceful wings. The vine twined around the trunk, ending at the wide base.

Proud of its history, on most occasions Arel was usually more than willing to recount the story. Tonight his tongue turned to dust. “My grandfather…of blessed memory…was a rabbi as was his father before him.” menorah-step-2

“Mine, too.” Havah leaned forward, elbows on the table, and propped her head on her hands.

Did Adam feel this way in the Garden of Eden when he brought the succulent fruit to his hungry lips?

Arel found his voice again, though not without a struggle. “Zaydeh…Papa’s father…an artist. After my grandmother died he made this menorah in her memory. She was very young”

“What did she die of?”

“Christian poison! Tell her Arel.” Yussel’s bony hands curled into fists. “A pogrom. In the street like an animal. Fifty-three years ago. Like yesterday I remember.”

“You must’ve been a boy.”

“Five years old. Her Yosi, her heart, she called me.”

Tears quivered in Havah’s eyes. “You can tell how much he loved her by the verse he chose to engrave on the menorah, ‘Behold, you are lovely. Your eyes are like doves.’ It’s from Song of Songs.”

~~From PLEASE SAY KADDISH FOR ME

***

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To evade his pleading gaze, she studied the menorah that sat like royalty on decorated oilcloth in the middle of her oak dining table.

Nine candle flames reflected in the silver stems of the candelabra that had survived three generations of Gittermans and a journey across the sea. It had been crafted to resemble a tree with nine branches swaying in the wind. A flowered vine twined around the trunk which was etched with the Hebrew words for “Behold your eyes are like doves.” Just above the trunk, snuggled together like lovers, were two doves.menorah-step-4

At their first meeting—Sabbath dinner with her adoptive family—Arel told her how his grandfather had crafted it in memory of his slain wife when Yussel was only five. While the story fascinated Havah, it was Yussel’s son who fascinated her more. As he recounted the history, his luminescent gray eyes gleamed with enthusiasm and intelligence. Her grief fresh and wounds painful, she found solace in the rise, fall and lilt of his resonant voice.

“Havah? Where are you?”

~~From FROM SILT AND ASHES

***

 

menorah-step-5      Havah stood on tiptoe to put the menorah away. The unique candelabra still fascinated her even as it had the first time she saw it, the night she met Arel.

            Feeling Arel’s hot breath on her neck, she shivered and set the menorah back on the table. He slipped his arms around her waist. She turned in his embrace. “Remember, Arel? It was love at first sight.”

            “I wasn’t such a hideous sight back then.”

            “Miss Tova says Bayla has the prettiest Papa in town.”

            “Havah, do you have any idea how ridiculous you sound?”

            “You know what I mean.”

            As he opened his mouth to reply, Lev rushed into the dining room with an armload of books.

            Arel dropped his arms to his sides. “Where have you been?”

            “Didn’t Aunt Havah tell you I’d be late?”

            “She didn’t say you’d be this late.”

            “It’s only eight-thirty.”

“Well?”

            “I went to Vasily’s to study.” Lev set his books on the table. “He’s a year ahead of me so he gave me his old textbooks.”

            “Have you had supper?” asked Havah. “How was school?”

            “School was great and Oxana invited me to eat with them.”

            “Oh dear, you must be starved.”

            “Not to worry, Auntie mine.” Lev playfully pinched Havah’s cheek. “Vasily cooked.”

            “Vasily is younger than you.” Arel thumbed through a book. “Shouldn’t you be ahead of him?”

            Lev’s jaw tensed. “I’ve missed a lot of school.”

            “And you’re proud of this?”

            Lev crimped his lips together.

            Havah’s stomach kinked into a knot. “Arel, listen to him for once.”

            “Damn you, Uncle Arel!” Lev seized the book. “Nothing I do pleases you.”

            In one heart-stopping motion Arel slapped Lev, hitting the menorah. It toppled to the floor and broke in two at Havah’s feet. The ground listed beneath her. The color drained from Arel’s face. Lev held his book to his chest, Arel’s handprint bright on his cheek.

            Yussel dropped to his knees and searched for the menorah with trembling hands until he found it. His shoulders sagged as he pressed the two pieces against his heart. Sitting on the floor, he rocked to and fro. Tears soaked his beard as he chanted, “‘Gahm kee elekh b’gay tzalmavet…yea though I walk through the valley of the shadow of death…’”

“It’s only one branch, Papa.” Havah knelt beside him. “Surely it can be fixed.”

            “Once a limb is severed can the tree be made whole again?”

~~From AS ONE MUST, ONE CAN

 

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Original Artwork © Rochelle Wisoff-Fields

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 The Trilogy is Complete! All books available in print, Kindle and Nook. Look for them at Amazon.com,  Barnesandnoble.com or Argusbooks.com

Represented by Jeanie Loiacono 

Loiacono Literary Agency

9 December 2016

Published December 7, 2016 by rochellewisoff

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The next photo is the PROMPT. Remember, all photos are property of the photographer, donated for use in Friday Fictioneers only. They shouldn’t be used for any other purpose without express permission. It is proper etiquette to give the contributor credit. 

PHOTO PTOMPT © Lucy Fridkin

PHOTO PROMPT © Lucy Fridkin (my friend since kindergarten…wow, that’s a loooong time!)

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The following is a tweaked scene from my first novel PLEASE SAY KADDISH FOR ME. 

Genre: Historical Fiction

Word Count: 99

MOMENT OF MOMENTS

            Like an impetuous child, Havah hopped from foot to foot.  New York City’s imposing skyline appeared to be painted against gray clouds.

            What kind of life would they have in this unfamiliar place? She wound and unwound the fringes of her shawl around her index finger. Would Americans understand her English?

            Yussel grasped her arm. “Is she there?”

            “Yes, Papa. Like a queen with flowing robes and a crown, she’s standing in the harbor holding her torch high in the air for the entire world to see.

            His sightless eyes brimmed and he smiled serenely. “Yes, I see her.”

*

*

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Framed Havah at 16

HAVAH COHEN GITTERMAN – Original Artwork © Rochelle Wisoff-Fields

YUSSEL GITTERMAN -Original Artwork © Rochelle Wisoff-Fields

YUSSEL GITTERMAN -Original Artwork © Rochelle Wisoff-Fields

The final edits are complete! The third book in the Havah Cohen Gitterman trilogy is out! 

CLICK HERE

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What’s a Little Jet Lag?

Published November 21, 2016 by rochellewisoff

Last Wednesday I set forth from Belton, Missouri to Burbank, California with more than one mission. The primary one was to do a live interview on The Writer’s Block Radio Show. Although I could’ve stayed home and phoned the interview in, when I found out how close my son lives to the studio I made travel arrangements. To read my other two blogs leading up to this Click Here and Here

Yes, I do have a purple suitcase. Why do you ask?

Yes, I do have a purple suitcase. Why do you ask?

Thursday night came and with it butterflies in my stomach doing loop-de-loops. My son, Travis drove me to the studio and sat in on the interview. 

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I felt a little nervous as I sank down in front of the microphone, reminding myself not to say, “Um” or “Er”. However, as soon as we went live, host Jim Christina and his co-host, Russ Avison put me at ease. It seemed more like sitting in someone’s living room having a great conversation than a question and answer interview. CLICK HERE TO LISTEN. I hope you enjoy it as much as I did. 

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Jim Christina

Jim Christina who took the time to research the pogroms in Eastern Europe.

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Wearing my magic shoes.

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Russ Avison, who read Please Say Kaddish for Me and asked some brilliant questions.

With the interview behind me, I spent the rest of the week getting to know my five-year-old granddaughter, Olive. It happened that her other grandmother Dru was also in town to spend Thanksgiving. I enjoyed visiting with her as well. art-time-with-oliveolive-and-bubster

We stopped in at the Bookstar Barnes & Noble in Studio City so I could sign two copies of PLEASE SAY KADDISH FOR ME and two copies of FROM SILT AND ASHES. 

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Even though we weren't able to arrange a book signing, the manager was nice enough to order in my books and invited me to come in and sign them. (I suppose we could call this a book signing. Right?)

Even though we weren’t able to arrange a book signing, the manager was nice enough to order in my books and invited me to come in and autograph them. (I suppose we could call this a book signing. Right? Of course, right!)

L-R Grandma Dru, Jaimi, Travis with Olive and Bubbie Rochelle

L-R Grandma Dru, Jaimi, Travis with Olive and Bubbie Rochelle

Last but not least, a little artwork from the budding artist. Remember when Grandmothers carried brag books? Today’s Bubbie blogs. 

Poppie the Troll by Miss Olive Fields

Poppie the Troll by Miss Olive Fields

The highest point of the week might have been the moment Olive said, “I love you, Bubster.” 

 

Taking Flight-This Week!

Published November 14, 2016 by rochellewisoff

Reservations are made. Packing soon to begin. California here I come…this week! the-writers-block-mug

I’m looking forward to meeting Bobbi Bell and Jim Christina in person. http://latalkradio.com/content/writers-block Thursday night, 7:00PM Pacific time. It will be archived for those who aren’t able to catch it live. 

What does one wear for a radio interview? Whatever goes with:

the-shoes

While I wasn’t able to schedule any book signings, one Barnes & Noble manager said she’d order in two copies of PLEASE SAY KADDISH FOR ME and FROM SILT AND ASHES. She invited me to come in and sign them. Being Judaica they’re just in time for Hanukkah. If you’re in the area the store is at 12136 Ventura Blvd. in Studio City.

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 Th-that’s all for now, Folks. 

November’s Guest Storyteller, Rochelle Wisoff-Fields

Published November 5, 2016 by rochellewisoff

I’m honored to be Sarah Potter’s guest storyteller this month. My story is more than 100 words and one of my favorites. 😉

Sarah Potter Writes's avatarSarah Potter Writes

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Kansas City native Rochelle Wisoff-Fields is a woman of Jewish descent and the granddaughter of Eastern European immigrants. She has a close personal connection to Jewish history, which has been a recurring theme throughout much of her writing. Growing up, she was heavily influenced by the Sholom Aleichem stories, the basis for Fiddler on the Roof. Her novels Please Say Kaddish for Me, From Silt and Ashes and As One Must, One Can were born of her desire to share the darker side of these beloved tales—the history that can be difficult to view, much less embrace.

She is also the author and illustrator of This, That and Sometimes the Other, an eclectic anthology of short stories.

Before becoming an author, Rochelle attended the Kansas City Art Institute, where she studied painting and lithography. Her preferred media are pen and ink, pencil, and watercolor. Her artwork is featured…

View original post 756 more words

Out of the Zone

Published November 3, 2016 by rochellewisoff

I can’t remember a time I didn’t love to draw. So much so, that my mother’s most common laments included those of never being able to find a clean sheet of paper to write on.

I’ve  always enjoyed drawing people; figure studies, hands, feet and faces. When my agent, Jeanie Loiacono, suggested posting character studies to generate interest in my novels I jumped on the idea and added portraits hoping to heighten that interest. 

Shortly after FROM SILT AND ASHES debuted, my publisher asked if I might consider putting these character studies into a coffee table companion book. Would I? After letting out a whoop and breaking into a happy dance at my computer, I calmly answered, “Oh yes!!!”

Framed Arel in Svechka

Arel Gitterman as he appears in PLEASE SAY KADDISH FOR ME © Rochelle Wisoff-Fields

Framed Havah at 16

Havah Cohen as she appears in PLEASE SAY KADDISH FOR ME © Rochelle Wisoff-Fields

While imagining and rendering my character’s faces comes easily, buildings and landscapes do not. I sweated bullets on the painting of the Richelieu Steps that lead from the harbor in Odessa Ukraine. 

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Published by W & B Publishers Represented by Jeanie Loiacono

It occurred to me that A STONE FOR THE JOURNEY, the companion book to Havah’s trilogy needs to include scenes from the novels. Once more I’ve taken a giant leap from my comfort zone.

As with writing, painting is a process. I usually share this process with my friend Jean Hays in New Mexico who is also an artist. As my co-authors offer me suggestions and critique on my writing, Jean does the same with my artwork. Because I was quite nervous with this next piece, I texted her photos each step of the way. 

The subject,  which appears in AS ONE MUST, ONE CAN, is the Hochstrahlbrunnen fountain in Vienna.  The prospect of trying to paint water was a challenge. 

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Step One – The Rough Draft

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Step Two – Laying in the background

 

 

 

 

 

 

 

 

 

Step Three

Step Three

Step Four

Step Four

 

 

 

 

 

 

 

 

 

Step Five

Step Five

Step Six and Seven

Steps Six and Seven

 

 

 

 

 

 

 

 

 

A full day’s work later, the finished work.  

Original Artwork © Rochelle Wisoff-Fields

Original Artwork © Rochelle Wisoff-Fields

It Must be the Shoes

Published October 11, 2016 by rochellewisoff

 At the Ozarks Writers League conference in August, I left my purple high-top Converse sneakers at home, opting for sandals instead. How was I supposed to know my agent, who was a speaker that weekend, had told an editor about my colorful shoes?

“You have to wear those shoes,” said Jeanie , with her sweet Southern drawl. “They’re your trademark.”

Thank You, Jeanie!

With Jeanie Loiacono

There’s no denying it. Those tennies are a conversation starter and comfortable to boot.  In that vein I solemnly promised to wear them to all conferences and book signings.  

September 17 I wore them to my class reunion where I was encouraged to set up a book table.  Not only did I enjoy connecting with old friends, ten of them bought books.

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Can you spot me? My shoes?

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Back in the day.

The following week I had a book table at the Heritage Festival in Independence, Missouri. I enjoyed meeting people of different ethnicities. However, it turned out to be a very hot day with not-so-hot attendance.

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Last Friday night we went to an art fair to watch a good friend of ours perform. While listening to Br. John Anderson and his accompanist, Rick Cole, I perused handmade jewelry in a nearby booth.

With Br. John Anderson

With Br. John Anderson

The gentleman minding the shop for his wife asked about my attire which, of course, included my purple footwear. “I’m interested in how people dress for art fares,” he said. “Is this how you dress for them?”

I explained that I was also an artist and an author.  “This is pretty much how I dress most of the time.”

“Really? What do you write?”

“Historical fiction.” 

“Can I find them on Amazon?”

“I have two in my bag.” I grinned and whipped out a copy of Please Say Kaddish for Me and one of From Silt and Ashes. “They’re first and second in a trilogy.”

He handed me a twenty-dollar bill and had me sign Please Say Kaddish for Me to him and his wife.

I’ve learned three important lessons this past year: Keep books on hand, keep the Square in my purse to take credit cards and always wear the shoes!

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Character Study – Charles Rosenthal

Published October 7, 2016 by rochellewisoff

As a girl in, Fruma Ya’el fell in love with an idealistic Jewish doctor from the United States.

Framed Fruma Ya'el

Fruma Ya’el -Original Artwork-© Rochelle Wisoff-Fields

            “I was your age when a doctor came to visit Svechka—Dr. Rosenthal—all the way from New York, America,” she tells Havah. “He claimed it was his mission to recruit Jews to become doctors so we wouldn’t always be at the mercy of the Goyim. He stayed for two years and filled my head full of knowledge and dreams…”

            Recognizing Fruma Ya’el’s aptitude for medicine, Charles urged her to return to New York with him to study medicine and marry him. When tragedy struck she laid her aspirations to rest. Obeying her father’s wishes, she married Herschel. Dejected and heartbroken, Charles left Svechka.

Dr. Charles Rosenthal - Original Artwork © Rochelle Wisoff-Fields

Dr. Charles Rosenthal – Original Artwork © Rochelle Wisoff-Fields

Setting down the tattered diaper she used as a polishing cloth, Fruma Ya’el reached into a concealed pocket in the wooden box’s lining and pulled out an old tintype. Lean, with black hair, bushy moustache and olive skin, to this day, Charles’ image held the power to quench her arid heart’s thirst if only for the briefest moment. The memory of his lips pressed hard against hers still lingered in her mind like sweet cream and honey.

             “Charles. I can’t.”

            “You’d rather rot in ignorance because of a narrow minded old man and a piece of paper than come with me?”

            “I’m all my father has left.”

            Charles’ dark eyes filled. He grasped her face with both hands. “I beg of you, Ya’el. Think. There are schools cropping up all over America for women. You’ll be a brilliant doctor, a medical pioneer.”

            “What about Papa’s honor?”

            “Damn ‘Papa’s honor’!”

~~Taken from Please Say Kaddish for Me

Published by Argus Publishing

Represented by Loiacono Literary Agency

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 Amazon  Angus & Robertson  B&N  BAM  BookWorld  FishPond  Shelfari  The Book Depository  Waterstones  GoodReads  iDreamBooks  HPB Hudson Book Sellers   IndieBound  Powell’s Books

Amazon AU  Amazon UK  Amazon Germany  Amazon Italy  Amazon France  Amazon Spain

The Sequel

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Amazon Amazon Spain  Amazon Italy  Amazon Germany  Amazon UK  Amazon France

Watch for the third in Havah’s Series!

COMING SOON!

COMING SOON!

Check out my author page on the Loiacono Website.  For all of the character studies thus far, click on the link Rochelle Wisoff-Fields Art and Blogs or my website RochelleWordArt.

30 September 2016

Published September 28, 2016 by rochellewisoff

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The next photo is the PROMPT. Remember, all photos are property of the photographer, donated for use in Friday Fictioneers only. They shouldn’t be used for any other purpose without express permission. It is proper etiquette to give the contributor credit. 

PHOTO PROMPT © Amy Reese

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It’s not exactly an excerpt but a snippet tweaked to be a teaser to my book From Silt and Ashes. 

Genre: Historical Fiction

Word Count: 100

PRELUDE TO AN ODYSSEY

          After weeks of contemplation and numerous entreaties from Dr. Trubachov in Ukraine, Dr. Nikolai Derevenko tendered his resignation to St. Thomas Hospital. As he left the administrator’s office he felt one of his burdens had lifted.

         “Good morning, Doctor.”

         An attractive nurse whose dimensions stretched her starched uniform to its limits cocked her head and flashed a dimpled smile. He followed her with his eyes to the other end of the corridor until she turned and entered a patient’s room.

        When he returned to his original path he looked up in time to avoid a collision with a police officer.

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If you’ve read it and enjoyed please leave a review on Amazon.com. Thank you. 

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